The compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output.
Using the Raw format with the sensor’s metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve. The 6K Pro includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor.
Record using the internal CFast 2.0 and SD/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming, or output via the USB Type-C port to capture longer clips to an external drive. The updated Gen 5 internal color processing makes it easy to intercut 6K Pro, 6K, and BMPCC 4K footage. The 6K Pro can turn one frame into two by cropping a second shot from one frame, upscaling to 8K, or simply capturing rich, detailed footage with your favorite EF/EF-S-mount lens. The EF mount supports iris, autofocus, and zoom functions using electronic communication when using compatible lenses. With only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up to x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EF/EF-S mount lenses available. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5″ tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness, a Pro EVF option, built-in clear/2/4/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.
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